A week with Persephone’s Torch Tarot
Posted: 07 Nov 2021, 16:15
Another from Duck Soup, Doug Thornsjo! I’m repeating a bit of what I said in the stork thread, but here we go. The theme of the deck is turn of the 20th century theater. It’s a huge 3.5 x 6 inches (wonderful for really seeing everything!), and is illustrated in landscape so the cards look like stages. The majors are posters for (mostly) imaginary plays. The dates, times, and locations on the posters are clever puns relating to card meanings and subtle Thothy details. The courts are photo collections of real actors of the era. Wikipedia will be used this week! The minors are imaginary scenes on stage, with “playbill” titles in the lower left corners.
There’s a title card and two instruction cards, the “playbill” and the “modus operandi,” and a “Coda” scene card. And two advertising cards, one for the Persephone’s Torch novel (about a theater company) and one for Doug’s other decks and website. You can pick the back from several choices, and I nerdily chose the one most similar to the title card. The deck is print-on-demand and came directly from MakePlayingCards. It comes in a plain white tuck box. (If I get ambitious, I might glue the title card to the front of the box.)
I’m not sure how I’m going to read with such large cards. For now, the short interview seems in order! Wash, shuffle, and deal!
Strength: XVIII. A Midsummer Night’s Dream (Moon)
Here are Titania and Bottom, just like last week! Marama means moon in Polynesian languages (and can be a moon god). And Kuu is the Finnish moon goddess. So I would say a strength of the deck is that I can learn new things just by reading the cards! But its main strength is creating a fantasy world about the fantasy world of theater. A springboard for the imagination.
Weakness: Coins Scene 10, Curtain Call
Ok one weakness is I CAN’T see all the words on the cards, some are too small, some are cut off. Maybe the weakness is some scenes are a little boring? The cards don’t focus on the fantastic after all?
What I can learn from deck: Sir Squire Bancroft as The King of Coins
I like the monocle as part of a coins card! He’s also a painter, or plays one on stage, a creator of a physical thing of beauty. And maybe he’s shown as a protector or provider for his partner in the photo. Wikipedia: He and his wife are considered the founders of the “drawing room comedy,” in which the sets were mundane rooms that could be in any upper-middle class home. So that works for king and coins. I can learn to be in charge of my home and physical surroundings.
Outcome of our work together: Coins Scene 5, Winter of Discontent
Well, that’s not good for an outcome. I like the Shakespearean quote, but the scene is more RWS than Richard III. Some are still begging, some are moving on. The deck will enforce its physical dimensions as a hindrance not a help to reading.
Well, interesting reading for sure! We’ll see how it goes this week. Have a great Sunday!
There’s a title card and two instruction cards, the “playbill” and the “modus operandi,” and a “Coda” scene card. And two advertising cards, one for the Persephone’s Torch novel (about a theater company) and one for Doug’s other decks and website. You can pick the back from several choices, and I nerdily chose the one most similar to the title card. The deck is print-on-demand and came directly from MakePlayingCards. It comes in a plain white tuck box. (If I get ambitious, I might glue the title card to the front of the box.)
I’m not sure how I’m going to read with such large cards. For now, the short interview seems in order! Wash, shuffle, and deal!
Strength: XVIII. A Midsummer Night’s Dream (Moon)
Here are Titania and Bottom, just like last week! Marama means moon in Polynesian languages (and can be a moon god). And Kuu is the Finnish moon goddess. So I would say a strength of the deck is that I can learn new things just by reading the cards! But its main strength is creating a fantasy world about the fantasy world of theater. A springboard for the imagination.
Weakness: Coins Scene 10, Curtain Call
Ok one weakness is I CAN’T see all the words on the cards, some are too small, some are cut off. Maybe the weakness is some scenes are a little boring? The cards don’t focus on the fantastic after all?
What I can learn from deck: Sir Squire Bancroft as The King of Coins
I like the monocle as part of a coins card! He’s also a painter, or plays one on stage, a creator of a physical thing of beauty. And maybe he’s shown as a protector or provider for his partner in the photo. Wikipedia: He and his wife are considered the founders of the “drawing room comedy,” in which the sets were mundane rooms that could be in any upper-middle class home. So that works for king and coins. I can learn to be in charge of my home and physical surroundings.
Outcome of our work together: Coins Scene 5, Winter of Discontent
Well, that’s not good for an outcome. I like the Shakespearean quote, but the scene is more RWS than Richard III. Some are still begging, some are moving on. The deck will enforce its physical dimensions as a hindrance not a help to reading.
Well, interesting reading for sure! We’ll see how it goes this week. Have a great Sunday!